One Night Only.

One Night Only

Three words best describe up and coming dance music superstar James fRew - One. To. Watch.

With an undeniable talent and an international reputation most producers would kill for, the bearded wonder with the cheeky smile has been turning all the right heads for some time now. With a style that’s best described as classic big room house, and yet distinctly his own, fRew has carved a place in the big bad world of dance music.

Producing from his studio on Sydney’s Northern Beaches, fRew spent over five years honing his craft at home and abroad before the release of his epic first single, ‘Shake With It.’ Snapped up by Vacation Records, arguably one of dance music’s coolest and most highly regarded labels, the buzz surrounding ‘Shake With It’ was intense, and saw fRew immediately booked for a series of hot DJ gigs.

Keeping himself busy while he worked on his next original monster, fRew churned out remixes of Vacation chief and personal mentor Bass Kleph’s ‘Coup D’etat’ and ‘Bump Uglies,’ The Shopliftas’ ‘Freak Out’ and former 1200 Techniques frontman N’fa’s ‘Get Doh.’ fRew’s mix of ‘Get Doh’ reached an incredible number five on the Beatport electro house chart, alongside serious airtime from the tastemakers at Triple J, not to mention the man himself, Fedde Le Grand. Dropping ‘Get Doh’ in front of 65,000 clubbers on the main stage at Mysteryland, it wasn’t Detroit that they were putting their hands up for...

Next came ‘Call of the Crow’, beyond original in all senses of the word and met with rapturous praise from industry luminaries such as Mickey Slim (“JEEEEEEEEEESUS!!! Another fuckin’ bomb! I love it!”), Laurent Garnier (“This sounds fucked up and nasty! This thing destroys every dance floor it comes into contact with!”) and Australian Ministry of Sound head honcho Tim McGee (“Me likey.”)